VenuesCurrent
Jan Kopp — Constellations ordinaires
Ends in about 1 month: May 12 → June 30
Marion Meyer Contemporain presents for the first time the works of Jan Kopp : the exhibition project will explore the concept of rhythm and measurement of time. By the use of simple and fragile technics, Jan Kopp brings perfectly that paradox between imperceptible fragility and inexorable movement.
Drawing, sculpture, video
Marion Meyer Contemporain
Past
Archives
Michel Aubry / Alexandre Joly
Past: March 17 → April 28
Marion Meyer Contemporain Paris welcomes two artists, Michel Aubry and Alexandre Joly. Both their art practice are deeply related to music, sounds and their aesthetical translation. Seeing sounds and hearing images confront each other here and propose an apprehension of an aesthetic and sensorial experience to the public with a host of reading keys.
Michel Aubry / Alexandre Joly
Past: March 17 → April 28
Marion Meyer Contemporain Paris welcomes two artists, Michel Aubry and Alexandre Joly. Both their art practice are deeply related to music, sounds and their aesthetical translation. Seeing sounds and hearing images confront each other here and propose an apprehension of an aesthetic and sensorial experience to the public with a host of reading keys.
Installation, sculpture
Marion Meyer Contemporain
Archives
Die Avantgarde von Hinten — Werner Büttner
Past: January 14 → March 10
Born in the 1950s, this German artist, like his contemporaries Albert Oehlen and Martin Kippenberger, was part of the “Neue Wilde” or “Junge Wilde”, movement in which its adherents turned away from conceptual art and advocated a “return to painting”.
Die Avantgarde von Hinten — Werner Büttner
Past: January 14 → March 10
Born in the 1950s, this German artist, like his contemporaries Albert Oehlen and Martin Kippenberger, was part of the “Neue Wilde” or “Junge Wilde”, movement in which its adherents turned away from conceptual art and advocated a “return to painting”.
Collage, painting, sculpture
Marion Meyer Contemporain
Archives
Hit & Run — carte blanche à Stéphane Bérard
Past: November 5, 2011 → January 7, 2012
“Hit-and-Run”, this expression can mean either a blitz or a traffic accident in which the driver leaves the scene. The two definitions are therefore distinctly different: the first involves conscious, offensive preparation whose aim is to conquer or destroy, the second an (immediate) defense reaction that is more like a frantic flight.
Hit & Run — carte blanche à Stéphane Bérard
Past: November 5, 2011 → January 7, 2012
“Hit-and-Run”, this expression can mean either a blitz or a traffic accident in which the driver leaves the scene. The two definitions are therefore distinctly different: the first involves conscious, offensive preparation whose aim is to conquer or destroy, the second an (immediate) defense reaction that is more like a frantic flight.
Drawing, installation, performance...
Marion Meyer Contemporain
Archives
Fabienne Audéoud — Playing the piano — Dernière performance
Past: Saturday, December 10, 2011 6 PM → 7 PM
The gallery invite you to attend Fabienne Audéoud last performance before Christmas.
Fabienne Audéoud — Playing the piano — Dernière performance
Past: Saturday, December 10, 2011 6 PM → 7 PM
The gallery invite you to attend Fabienne Audéoud last performance before Christmas.
Archives
Philippe Bazin, Antichambres
Past: September 9 → October 22, 2011
Philippe Bazin presents two series of his photographic work here, bearing witness to that powerful relationship between the aesthetic and the political that constitutes its core: Antechambers and The Presidents.
Philippe Bazin, Antichambres
Past: September 9 → October 22, 2011
Philippe Bazin presents two series of his photographic work here, bearing witness to that powerful relationship between the aesthetic and the political that constitutes its core: Antechambers and The Presidents.
Photography, video
Marion Meyer Contemporain
Philippe Bazin, Antichambres — Brunch et rencontre avec l’artiste
Past: Saturday, October 22, 2011 11 AM → 1 PM
A l’occasion de la prolongation d’Antichambres, un brunch est organisé en présence de l’artiste ; c’est également l’occasion pour lui de présenter son catalogue paru en édition limitée
Meeting
Archives
Michel Herreria — Seul ensemble
Past: June 24 → July 30, 2011
“The end of humanity is not for tomorrow: it has its head well framed in a lunchroom tray. What is its activity? It is in an aquarium. What is the aquarium’s activity? It is flat, but gives a feeling of volume (…) A local elected official gave me the following catch phrase: ‘It’s breathing’ (art is breathing, etc.)”
Michel Herreria — Seul ensemble
Past: June 24 → July 30, 2011
“The end of humanity is not for tomorrow: it has its head well framed in a lunchroom tray. What is its activity? It is in an aquarium. What is the aquarium’s activity? It is flat, but gives a feeling of volume (…) A local elected official gave me the following catch phrase: ‘It’s breathing’ (art is breathing, etc.)”
Drawing, installation, painting
Marion Meyer Contemporain
Archives
Michel Aubry / Rainier Lericolais / Richard Monnier
Past: May 1 → June 18, 2011
He has this way of going outside conventions, of recognizing the crucial role of observation and indicating what was perhaps one of art’s great ambitions, finding a gesture and a viewpoint as close as possible to childhood, as far as possible from compromises. These three moments are also points of complicity with Michel Aubry and Rainier Lericolais.
Michel Aubry / Rainier Lericolais / Richard Monnier
Past: May 1 → June 18, 2011
He has this way of going outside conventions, of recognizing the crucial role of observation and indicating what was perhaps one of art’s great ambitions, finding a gesture and a viewpoint as close as possible to childhood, as far as possible from compromises. These three moments are also points of complicity with Michel Aubry and Rainier Lericolais.
Drawing, installation, sculpture
Marion Meyer Contemporain
Archives
Stéphane Bérard — Brutal Warburg
Past: March 11 → April 23, 2011
Augmentation de la superficie : a work in-situ, created by moving the gallery’s offices and storerooms to another space to free up a new space for this exhibition and the ones that follow, in a permanent manner. A bit of rubble collected and placed on the floor will symbolize this gesture.
Stéphane Bérard — Brutal Warburg
Past: March 11 → April 23, 2011
Augmentation de la superficie : a work in-situ, created by moving the gallery’s offices and storerooms to another space to free up a new space for this exhibition and the ones that follow, in a permanent manner. A bit of rubble collected and placed on the floor will symbolize this gesture.
Installation
Marion Meyer Contemporain
Stéphane Bérard — Signature de Charles de Gaulle. Mémoires d’espoir
Past: Saturday, April 23, 2011 5 PM → 7 PM
Comme il existe des « traductions en français moderne » destinées à rendre Montaigne lisible par un public plus vaste, plus jeune, moins spécialiste du XVIe siècle, Stéphane Bérard propose, à l’heure où u…
Meeting
Archives
Patrick Neu
Past: January 14 → February 26, 2011
Patrick Neu is part of this constellation of artists who do have knowledge in the important decision that should lead to the realization of a work. His work is rooted in art history, history of science and technology. His knowledge is lined by a deep understanding of artistic gestures closest and most distant in time.
Patrick Neu
Past: January 14 → February 26, 2011
Patrick Neu is part of this constellation of artists who do have knowledge in the important decision that should lead to the realization of a work. His work is rooted in art history, history of science and technology. His knowledge is lined by a deep understanding of artistic gestures closest and most distant in time.
Drawing, installation, sculpture...
Marion Meyer Contemporain
Archives
Pierre-Lin Renié — Long Term Observation
Past: November 2 → December 18, 2010
Pierre-Lin Renié was born in 1966 and lives and works in Bordeaux. After studying photography at the École Nationale Supérieure of Arles, he was awarded a research stipend at the Clark Art Institute in 2002 and another at the Metropolitan Museum of Art in 2004.
Pierre-Lin Renié — Long Term Observation
Past: November 2 → December 18, 2010
Pierre-Lin Renié was born in 1966 and lives and works in Bordeaux. After studying photography at the École Nationale Supérieure of Arles, he was awarded a research stipend at the Clark Art Institute in 2002 and another at the Metropolitan Museum of Art in 2004.
Photography
Marion Meyer Contemporain
Archives
Georg Ettl et Séverine Hubard
Past: September 17 → October 23, 2010
The two artists define themselves as sculptors. They are both interested in architecture, either to improve space as George Ettl does in the Neuss church, or to jubilantly demolish the pretence of prefabricated interiors as Sévérine Hubard’s short film, Trompe l’œil shows. Both artists are interested in public space…
Georg Ettl et Séverine Hubard
Past: September 17 → October 23, 2010
The two artists define themselves as sculptors. They are both interested in architecture, either to improve space as George Ettl does in the Neuss church, or to jubilantly demolish the pretence of prefabricated interiors as Sévérine Hubard’s short film, Trompe l’œil shows. Both artists are interested in public space…
Architecture, installation, sculpture...
Marion Meyer Contemporain
Archives
Frédéric Platéus — Phantom Works
Past: June 22 → July 31, 2010
Platéus Generation
Part of the originality of Frédéric Platéus’ work comes from his fascination with certain objects and figures connected to sports, technology and science fiction. The other comes from his going back and forth with the movements that come from popular and urban culture.
Frédéric Platéus — Phantom Works
Past: June 22 → July 31, 2010
Platéus Generation
Part of the originality of Frédéric Platéus’ work comes from his fascination with certain objects and figures connected to sports, technology and science fiction. The other comes from his going back and forth with the movements that come from popular and urban culture.
Urban art, installation, sculpture
Marion Meyer Contemporain
Archives
Michel Aubry — La Loge Fantôme
Past: April 27 → June 12, 2010
On April 23, 1925, Alexandre Rodtchenko wrote to his wife: “… This evening, I went to a circus, there are four of them in all in Paris. I saw the famous Fratellinis, nothing special, but of course, they are artists. It was something else that struck me: the public’s love for them and especially, their dressing rooms, which had an open door on one side through which everyone could look inside and a window through which you could see; there are five rooms, and it’s a whole museum of objects, photos, drawings, etc.”
Michel Aubry — La Loge Fantôme
Past: April 27 → June 12, 2010
On April 23, 1925, Alexandre Rodtchenko wrote to his wife: “… This evening, I went to a circus, there are four of them in all in Paris. I saw the famous Fratellinis, nothing special, but of course, they are artists. It was something else that struck me: the public’s love for them and especially, their dressing rooms, which had an open door on one side through which everyone could look inside and a window through which you could see; there are five rooms, and it’s a whole museum of objects, photos, drawings, etc.”
Installation
Marion Meyer Contemporain
05 Paris 5
05 Paris 5
Maubert – Mutualité
Saint-Michel
Opening hours
Tuesday – Saturday, 11 AM – 7 PM
Other times by appointment
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